Shock Cinema Magazine is an essential periodical for fans of cutting-edge, retro cinema. Each issue features in-depth interviews with the most intriguing character actors, cult celebrities and maverick moviemakers of all time and critiques a wide array of film obscurities, including grindhouse action, sexploitation, horror, sci-fi, drive-in dreck, overseas oddities, and arthouse dementia.
 
The newest issue of SHOCK CINEMA Magazine (#62) is available at bookstores across the U.S. and Canada. Or you can order directly from the publisher:

In the US, mail-order copies of #62, our Fall 2022 issue, are $8.00 (which includes First Class USPS shipping). All back-issues are $7.50 apiece, and a four-issue subscription is $30.00. Please make all checks/money orders payable to Steven Puchalski.

All Canadian copies are $9.00 apiece and four-issue subscriptions are $36.00. All orders outside of North America are $15.00 each. Unfortunately, we only offer subscriptions to the US and Canada at this time. Please feel free to contact us about our wholesale prices.

You can also order single copies, subscriptions and back issues online with your credit card or PayPal account.

There are also dozens of informative and entertaining film, DVD and Blu-ray reviews, including Clu Gulager in Gangsterfilmen; Kim Milford in Song Of The Succubus and Rock-A-Die Baby; Richard Harrison and Judi West in Fantabulous Inc.; George Hamilton, Olga Schoberová and Peter Lawford in Togetherness; Deirdre Lenihan and Jennifer O'Neill in Alexander Singer's Glass Houses; Christopher McDonald in Bums; Yves Montand and Katharine Ross in Chance And Violence [Le Hasard el la Violence]; Aleksandr Ptushko's Ilya Muromets [The Sword and the Dragon]; George Segal in Ivan Passer's Born To Win; George Mihalka's Pinball Summer [a.k.a. Pick-Up Summer]; Jeremiah Kipp's Slapface; Adam Faith in What a Whopper; John Agar in The Brain From Planet Arous; Carla Gravina in Alberto De Martino's The Antichrist; Joey Travolta in Sunnyside; Frederic Polizine's Oeil Pour Oeil; Dusan Makavejev's The Coca Cola Kid; Dialing... For Dingbats!; Cassandra Delaney in Fair Game...

Christipher Joy, Jayne Kennedy and Tobar Mayo in Big Time; Wim Verstappen's VD; Lino Ventura in Claude Pinoteau's Escape To Nowhere [Le Silencieux]; Laura Hunt in Teresa Sparks' Over the Summer; Ulli Lommel's Strangers in Paradise; Rod Browning in Herowork [a.k.a. The Life and Times of the Chocolate Killer]; Václav Vorliček's You are a Widow, Sir! [Pane, Vy Jste Vdova!]; Nathalie Baye and John Shea in Honeymoon [Lune di Miel]; Terence Hill and Marvelous Marvin Hagler in Virtual Weapon [Cyberflic]; David Rains in Tim Thomson's No Resistance; The Rolling Stones in Peter Clifton's Popcorn; Grant Page and Sorcery in Stunt Rock; Paul Jones in Peter Watkins' Privilege; Jean-Jacques Rousseau's The Star of Evil [L'Etoile Du Mal]; Valerie Hobson in No Exit [a.k.a. No Escape]; Robert Hoffmann, Janet Leigh and Klaus Kinski in Grand Slam; Three Fables About Villa Ocampo [Tres Fabulas de Villa Ocampo]; Robert Deubel's Girls Nite Out; and much more...

Giancarlo Giannini and Michel Constantin in Sergio Corbucci's trucker road movie, The
8-Wheel Beast [Il Bestione].

Paul Perri, Claudia Cron and Will
Lee in Charles Braverman's New
York City neo-noir Hit and Run [a.k.a. Revenge Squad].

Johnny Hallyday, Karen Allen and Jürgen Prochnow in the bizarre sci-fi/action dystopia, Terminus.

Tim Kincaid's groovy, exploitative celebration of female sexuality, The Female Response.

Regina Linnanheimo in Teuvo Tulio's deliriously overheated Finnish melodrama The Cross of Love [Rakkauden Risti].